About Art

Every time I meet someone interested in my artwork they ask if I have a website. Now I have a blog. Consider this the website. My goal is to sell original artwork to average people, which means at accessible prices. Most gallery original artwork is too expensive for me, so I figure it's too expensive for my peers. The truth of the matter is that painting in my living room does not cost that much, so I don't have to charge you that much. I hope the artwork on this blog inspires you to hang original art on your walls, be it as an investment or something to make you happy after a long day of work. Contact me at artwork.nicole@gmail.com to order.

Wednesday, May 5, 2010

Flying Buttresses



Stats: "Roark" 30x15x.75 oil on canvas
Playlist: French and Brazilian music
Beverage: Dark and Stormy with curiously old ginger beer. Mental note: It is a new year. Buy new ginger beer.

Yes, I named a painting after the main character in The Fountainhead. Although this painting is really taken from a photo I took of the flying buttresses at the National Cathedral, when I finished it it reminded me of the cover of the book The Fountainhead, by Ayn Rand. I always liked the main character, rogue architect Roark, so I thought the name was appropriate.

This painting was designed to allow me to play with my interpretation of composition, light and color of a classic architectural element. I have always loved flying buttresses. What kind of a term is that, anyway? Aside from whatever the word's etymology does to attract my attention, though, I like the fact that they create unique lines from behind which light pokes out in an interesting fashion.

I wanted to show that the sky at the top of the cathedral's hill can get stunningly blue, and that the building itself turns pink in certain lighting. I used my palette to accentuate these features, which led to a green-less palette. I also insisted on painting this entire thing in one fell swoop. I started the blue background only 30 minutes after painting an orange wash over the entire canvas, so none of the layers of color are unique to what I had mixed on my palette. Each color took something from underneath. I suppose that also lends a post-industrial, anti-communist, freedom of expression sheen to the piece that Ayn Rand would be proud of. Every layer is built off of a foundation of rusted iron ore (transparent iron oxide orange), to give it a new, expressive life. It also makes for a pleasant evening and quick work.

I will be doing more quick work this weekend. In preparation for my upcoming Open Studio, I want to return to my roots and do five 8x10 floral still life sketches. Two pairs will be positive-negative images, and one is a commission for my mom to go with Pink Tulips. I intend to spend 45 minutes on each. Stay tuned!

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