About Art

Every time I meet someone interested in my artwork they ask if I have a website. Now I have a blog. Consider this the website. My goal is to sell original artwork to average people, which means at accessible prices. Most gallery original artwork is too expensive for me, so I figure it's too expensive for my peers. The truth of the matter is that painting in my living room does not cost that much, so I don't have to charge you that much. I hope the artwork on this blog inspires you to hang original art on your walls, be it as an investment or something to make you happy after a long day of work. Contact me at artwork.nicole@gmail.com to order.

Wednesday, March 3, 2010

Carmenere



Piece: Carmenere Series 1-4. Four 12x12x1.5 in oil on canvas.
Playlist: variable
Beverage: Carmenere

I have finished, and finally photographed, the first four pieces of my Barcelona antique tile series. To be honest I can't remember what music I listened to while painting, or whether the wine was a Cabernet Sauvignon or a Merlot. Even so, it was a fun little project.

I took the designs from four single tiles, out of four different motifs, and reincarnated them on canvas with shading and brushstrokes and such. The designs come from late 19th/early 20th century Barcelona. Reworking them in brushstrokes was an interesting challenge. I started by prepping the surfaces, making sure to mix the background layer with the first thin layer of paint so that it has more dimension and age. I drew the designs first on paper in colored pencil to get the design and the proportions correct. Then I drew the basic proportions with charcoal on canvas. Finally, I mixed the colors and put paintbrush to canvas. I added in shading to give them some more dimension, and to make them look like something other than just tiles.

The two most valuable parts of this exercise were color mixing and design-drawing. I have definitely come to believe that using less charcoal is better, since it's annoying to clean up after! And as for color mixing, this was the most important part of this series for me. The colors used in the antique tiles are very unique, and the play between them is rather unusual. That is why I put these four very different tiles together, and chose them in the first place. I am looking forward to taking some of these colors to some new abstract and abstracted architecture pieces I'm working on.

TBD whether I will do more of these. I seem to have other, more appealing ideas lately, and much less time.

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